Wednesday 21/04/2010. I had a pleasant evening down in Stockton-on-Tees at the ARC theatre for the next in their series of spoken work events, this one called "Your Are Here" A poetry night though perhaps a bit of an exageration to call it a night as the show lasted an hour, no break and that was that. Despite it's brevity I enjoyed it for there are few opportunities for live poetry events in our area. The performance poets in attendance were Jo Shapcott, quite a well known poet whom I recall seeing a few years ago reading at the Words by the Water Festival in Keswick with A E Fanshawe (who died not long ago). On my flikr page I have used a poem from each of the writers performing tonight, to illustrate and go with the pictures taken for my British Literary group on flickr so I will not repeat them here, for Jo's poem called "Shopping" go to: http://www.flickr.com/photos/summonedbyfells/4546111788/ (It ocurrs to me that I should be able to insert a page link that would allow direct connection to my flickr photo, as it is and until such time as I can work out how to do this, it will be necessary to copy and past the link to see what I am referring to). I have to say this sort of commentary poetry doesn't do a great deal for me, it all seems very ordinary and hardly worth the effort of writing it down, I can't see that it has much to say about anything. Conversely Daljit Nagra an Asian teacher had some interesting work on the theme of his growing up in a cross-culture environment, he had something original to say; at least to me. His writing opened a door and offerred a glimpse into another world of identity confusion but another world we all knew and think so little of now - that of childhood. The third poet of the evening was for me the best a fetching lass from Ulster called Colette Bryce, her wispy lines, her observational accurary catch at how simple description and a connecting thought process produce a striking imagery, for this reason I will repeat her "Nature Table" here, maybe it was her gentle but compelling Derry accent but whatever it was I thoroughly enjoyed her performance and felt happy to have encountered some new current work.
NATURE WALK - By Colette Bryce
If only my bag had been large enough,
I would have brought the lonely men in parked cars
by the river. I would have brought the woman
dabbing khol tears with the heel
of her hand. I might have brought the ancient couple
who read each word on the YOU ARE HERE
board, then turned and ambled on, heads
a little upward-tilted showing
an interest in everything.
I would have brought the coping stone
from the twelth pier of the original bridge, and the 4.06:
from elsewhere, curving (glittering) carefully across.
And all the busy people on it; all their coats
and phones and wallets. I might
have brought the restless gulls that dropped
like paper boats on to the water. And the burger van,
the girl inside with greasy hair,
her quite unsolvable crossword.
And put them all on my nature table,
and fashioned little cardboard signs:
a small display that would speak in a way
about lonliness and life spans, parked cars and rivers.
I bought some bark, and a couple of conkers,
one still half-encased in it's skin like an eye.
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And of course she brought them all with her!
My picture was taken by Daljit Nagra and shows me with Jo Shapcott.
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There is something about parked cars in the poetry of Ulster, or maybe there isn't, but Colette Bryce's line about the "lonely men in parked cars" chimes with other troubled parked-car associations with Ulster - like Paul Muldoon's:
IRELAND
The volkswagon parked in the gap
But gently ticking over.
You wonder if it's lovers
And not men hurrying back
Across two fields and a river.
Perhaps you need to know a little about Ulster's Troubles to get it, but I certainly do and so did poor Eamon Collins, beaten to death by the roadside in Strabane. In his book "Killing Rage" the role of cars, parked or about fearful business play a deadly if secondary role.